Subscribe
Close

return;
default:
return;
}
}

if ( 'function' === typeof window.addEventListener ) {
window.addEventListener( 'message', funcSizeResponse, false );
} else if ( 'function' === typeof window.attachEvent ) {
window.attachEvent( 'onmessage', funcSizeResponse );
}
}
if (document.readyState === 'complete') { func.apply(); /* compat for infinite scroll */ }
else if ( document.addEventListener ) { document.addEventListener( 'DOMContentLoaded', func, false ); }
else if ( document.attachEvent ) { document.attachEvent( 'onreadystatechange', func ); }
} )();

According to THR, the co-director of The Lion King, Roger Allers, lived in Tokyo for two years in the 1980s. Kimba‘s creator Tezuka was still alive and the series would have aired on TV often.

You think Allers was taking in some Saturday morning cartoons with Kimba?

id="wpcom-iframe-2bed5041e5616f00ae8c2017fc45a4de-51287776-117076425"
width="480"
height="270"
src="https://embeds.go.ione.nyc/protected-iframe/2bed5041e5616f00ae8c2017fc45a4de-51287776-117076425"
scrolling=""
frameborder="0"
class="giphy-embed"
>

When Kimba first began airing in 1965, it was actually commissioned by NBC, since the network already had a relationship with Tezuka. The show premiered in the U.S. on September 11, 1966 and it aired in syndication throughout the ’70s and ’80s. The Lion King animators were definitely around during this time.

id="wpcom-iframe-938809c62ca50418b78e9a275e9e3175-51287776-117076425"
width="480"
height="192"
src="https://embeds.go.ione.nyc/protected-iframe/938809c62ca50418b78e9a275e9e3175-51287776-117076425"
scrolling=""
frameborder="0"
class="giphy-embed"
>

At one point, a well-known Japanese animator, Machiko Satonaka, sent an open letter to Disney, accompanied by a petition signed by 82 other artists and hundreds of Tezuka fans. They simply asked that Disney recognize Tezuka’s impact:

“To Japanese, Mr. Tezuka’s works are a national legacy. Therefore, the respect and admiration we Japanese felt for Disney Co. is severely diminished. It is not possible to explain the damage inflicted upon our love of this aspect of Japanese culture.” Satonaka ends her letter by requesting “a few lines paying respect to the origin of the story” be featured in the beginning of The Lion King.

Disney didn’t oblige, however, and a lot of the public didn’t support Satonaka’s cause because according to Yasue Kuwahara, who wrote a 1997 essay on the debate, “As much as Tezuka is considered important, the Japanese love Disney. They recognized Lion King was a copy of Jungle Emperor, but it was OK with them.”

Even Takayuki Matsutani, the president of Tezuka Productions, said that despite similarities between Disney’s work and Tezuka’s, Lion King is absolutely different from Jungle Emperor and is Disney’s original work. If Disney took hints from the Jungle Emperor, our founder, the late Osamu Tezuka, would be very pleased by it.”

I meeean…okay.

id="wpcom-iframe-ff20f364506a6cc369569769fe15e595-51287776-117076425"
width="480"
height="273"
src="https://embeds.go.ione.nyc/protected-iframe/ff20f364506a6cc369569769fe15e595-51287776-117076425"
scrolling=""
frameborder="0"
class="giphy-embed"
>

There’s even been paraphernalia aimed at Disney, accusing them of taking from Kimba. At one point, another big name in the Japanese anime world, Toshio Okada, came on TV in 1997 and showed off a shirt reading “The Lying King” with a picture of Kimba looking at a mirror of Simba. Below, Kimba is quoted as saying, “Mirror mirror on the wall, who created me after all.”

Dang.

This definitely stirs up the debate around intellectual property, what’s copied vs. what’s inspired by, etc.

What do you think of the Kimba/Lion King controversy? Worthy of outrage, or do the greats inspire the greats? Let us know in the comments!

Stories From Our Partners